For most people, Valentine’s Day means flowers, chocolate, and romantic dinners. For cinephiles (or people too cheap or lazy to leave the house), Valentine’s Day means snuggling on the couch and watching a romantic movie. If you’re planning a Netflix night this weekend, picking the right film is key. There’s nothing worse than inviting that special someone over for a private screening, lighting a few candles, pouring a glass of wine, and then killing the mood by putting on In the Ream of the Senses.
Christian Grey is an unusual guy. He’s the world’s most eligible billionaire bachelor and an enormously powerful businessman. He’s an avid jogger, an exceptional piano player, and a licensed helicopter pilot. He also really like the color gray. He wears gray suits and ties, drives a gray car to his gray office building (which is called Grey House) under gray Seattle skies, where his assistant dresses in—you guessed it—gray. (For the record, his office chairs are white but the couches are gray too.) And, oh yeah, he’s into kinky sex, including bondage, spanking, and domination.
For decades, people have made fun of Roger Moore. Moore starred in more James Bond movies than anyone else, but his entire twelve-year, seven-film run is widely regarded today as a goofy, cartoonish disaster. After Moore retired from the role following 1985’s ‘A View to a Kill,’ the Bond franchise refocused, growing darker and more serious. Now 007 belongs to Daniel Craig, who’s as stern as Moore was cheeky. Craig’s Bonds (and the Jason Bourne movies that helped inspire their solemn tone) have been so hugely successful, that there is an assumption that over-the-top spy movies like Moore’s wouldn’t work in 2015. ‘Kingsman: The Secret Service’ proves they can.
This is sort of a surprising-not-surprising news item. Universal is readying a sequel to last year’s phenomenally successful comedy ‘Neighbors,’ which starred Seth Rogen and Rose Byrne as married thirtysomethings whose suburban bliss with their newborn baby is spoiled by the arrival of a rowdy frat house next door. The first movie didn’t exactly leave a bunch of loose ends for Rogen, Byrne, and Efron to continue into another film, and comedy sequels don’t have a great track record. But the first movie did gross over $268 million worldwide against an $18 million budget. Hence the not-surprising part: Universal’s announcement that they’re working on a ‘Neighbors 2,’ which they hope to have in theaters by next summer.
For a while, the party line on the possibility of an ‘Iron Man 4’ was that it was not going to happen. And, at least technically, that’s still true—because instead Robert Downey Jr. is co-starring ‘Captain America: Civil War,’ where his Tony Stark and Chris Evans’ Steve Rogers will get into an epic superhero tussle.
If you haven’t watched Seth Rogen and Evan Goldberg’s ‘The Interview’ yet, either because you’re too cheap to spend $6 to rent it online, or you were worried North Korean hackers would catch you buying it and share your private emails slagging your boss with the world (I’m sorry Mike! When I called you “a giant goober,” I meant that in an affectionate way, like Goobers candy! Which everyone loves!) you are in luck. As part of their quarterly letter to shareholders, Netflix announced that they will “exclusively” offer the comedy to its U.S. and Canadian customers starting this Saturday, January 24. Sorry Netflix Netherlands! You’re out of luck for now.
‘American Sniper’ had a record-shattering weekend at the box office, grossing an astounding $105 million from Friday to Monday. It’s already the second biggest earner of Clint Eastwood’s entire career after ‘Gran Torino,’ and with six Academy Award nominations (and great word-of-mouth) behind it, it’s posed to become his biggest hit ever.
Okay, so there was a fair amount of disappointment around the 2015 Academy Award nominations. Everything was not awesome for ‘The Lego Movie,’ robbed of a Best Animated Movie nod, and David Oyelowo’s dreams of a Best Actor nomination vanished when Steve Carell and Bradley Cooper’s names were mentioned instead. ‘Force Majeure’ got snubbed for a Best Foreign Language Film nomination and ‘Selma’’s Ava Duvernay was robbed in the Best Director Category. I just keep looking at the list of nominations and playing “Sad Trombone” over and over again. It’s basically the official theme song of the 2015 Academy Awards.
As ‘Batman’ goes, so goes comic-book movies. When Tim Burton turned the Dark Knight into a retro-gothic hero, Hollywood followed suit with a slew of heavily stylized pulp throwbacks. (See: ‘Dick Tracy,’ ‘The Phantom,’ ‘The Shadow,’ etc.) And when Christopher Nolan turned the Dark Knight into, well, ‘The Dark Knight,’ it sparked a wave of “grim and gritty” movies, with serious superheroes doing and saying serious things in outrageous spandex costumes that had been reimagined as biker gear or body armor. (See: ‘Man of Steel’ [Or maybe don’t.]) There’s been some pushback, but we’re really only now coming out of the trend toward ultra-serious, uber-dark comic-book movies.
The whole Marvel Cinematic Universe is based around the fact that the strongest power in the universe are these magical Infinity Stones, gems of incredible power over time and space. When Ronan the Accuser combines an Infinity Stone with his hammer in ‘Guardians of the Galaxy,’ he becomes nigh-invulnerable and almost unbeatable. The only things left to stop him from destroying the universe are the Guardians… and dance moves. Sweet hot funky dance moves.
"Let's hope this still works," says David (Shiloh Fernandez) as he puts a key into the door of his family's old cabin in the woods. But of course he's not just talking about the key; he's talking about the idea of remaking 'The Evil Dead,' the 1981 cult classic that launched the careers of writer/director Sam Raimi, producer Robert Tapert, and star Bruce Campbell and remains close to the hearts of discerning horror fans everywhere. Between the original film and its two sequels, 'Evil Dead II' and 'Army of Darkness,' Raimi, Tapert, and Campbell created one of the most iconic horror franchises of all time. But that was thirty years ago. Times change; tastes change. And in the interim, 'Evil Dead' has been ripped off by so many other movies its plot smells about as fresh as a fruit cellar full of rotting cat corpses. Forget hoping it still works; you'd need the mother of all prayers, and maybe a blood sacrifice or two, to make an 'Evil Dead' remake click.
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