Mark Hamill, like many stars who enjoy sharing glimpses of the days before they finally made it big, enjoys posting the occasional photo or two from the sets of Star Wars. Just a few days ago, he shared what might very well be the first ever photo taken of Luke Skywalker in costume out in the middle of the Tunisian desert. Today, another early photo of himself as the young Jedi was unearthed, and Hamill pointed out that Lucasfilm was not keen on letting the public see it for years.
When pals asked, “What was your favorite part of Rogue One?” and I responded, “The part at the end when they all died,” it sounded like a bitter joke. But it‘s true — the choice to take advantage of the film’s stand-alone nature by concluding with the cast’s noble, obliterating sacrifice was a bold and decisive storytelling choice that helped distinguish Gareth Evans’ film from the rest of the franchise. The characters meant more in death than they ever did while living, and the selflessness of their risky suicide mission attests to the power of the human spirit in wartime. But this was not always the game plan.
Although pre-production on Phil Lord and Chris Miller’s young Han Solo spinoff has been underway for some time now (operating under the clever codename “Red Cup”), today marks the full, official start of production. To celebrate, Lucasfilm has debuted the first photo of the cast and their directors, crammed together inside the cockpit of the Millennium Falcon as if posing for a very cheerful (if a bit tardy) holiday greeting card.
While critics and fans alike roundly rejected the Star Wars trilogy of prequels, they agreed that at least one aspect of it was worthwhile: breakout crowd-pleaser Jar Jar Binks. The universally beloved Gungan earned a wide fanbase with his charming dialect made up of screeching and some sort of alien ebonics, and his constant cartoonish bumbling was a welcome reprieve from the series’ usual heroism and valor. Fans cried foul when Phantom Menace’s major supporting character was downgraded to tertiary status in Attack of the Clones and barely present for Revenge of the Sith, but today brings the welcome news that our sweet Jar Jar will get some much-deserved closure in an upcoming Star Wars novelization.
The Star Wars universe has always been a pretty great place for women (unless you’re a director, that is), so why is it that we haven’t yet seen a female droid in as significant a capacity as C-3P0 or R2-D2, or scene-stealer BB-8? There have been female droids in the canon, but usually that’s not revealed until after the fact, and no woman has ever voiced a major speaking role for a robot. With the new Han Solo prequel/spinoff, that’s about to change.
Well I suppose it’s about time. Movie parodies are the kind of industry that’s always there, creeping under the surface of the Hollywood franchise machine, waiting to snap up a property ripe for lampooning. The duo behind all of the Scary Movies and Twilight parody Vampires Suck are launching themselves to a galaxy far, far away for Star Wars sendup Star Worlds Episode XXXIVE=MC2: The Force Awakens the Last Jedi Who Went Rogue.
Just as the nation’s mushroom-takers have begun to hit up their connections in preparation for this May’s opening of the lush, psychedelic new amusement park Pandora — The World of AVATAR, yet another attraction has appeared on the horizon. At present, Star Wars superfans can immerse themselves in the fantasy universe with the series of films, novels, spin-off films, animated television programs, various board games, and Disneyland’s popular Star Tours ride. But some diehards demand more, a fuller and more transportive experience. And Disney CEO Bob Iger has some great news for them. (And less-great news for everyone else.)
And here…we…go. As of today, filming has officially begun on Phil Lord and Chris Miller’s young Han Solo movie, Lucasfilm’s next Star Wars Story standalone project. To commemorate the occasion, Miller shared a teaser photo that pays homage to the epic “who shot first?” debate — a timely nod, as this month marks the 20th anniversary (yep, you’re old) of George Lucas’ notorious Special Editions.
Disney and Lucasfilm have released a statement that Carrie Fisher will not be digitally resurrected for any future 'Star Wars' films, including 'Episode IX.'
When you have as much money as George Lucas has (a number we common peasants can scarcely imagine, a secret number, known only to those of the one percent’s one percent), simple luxury begins to lose its luster. You can only pay so many Ukrainian models to hand-feed you grapes and gently fan you with palm fronds before it all gets a little tired, at which point a person starts looking for more meaningful ways to spend their money. Philanthropy was born from this impulse, and branding-obsessed Lucas has found the perfect act of humanitarianism that also befits his planet-sized ego: founding a museum in which his creations of Star Wars can be displayed for all the world, and then slapping his name on it.