From the ranks of the Sons of Anarchy cast, Taylor Sheridan has emerged as one of the buzziest screenwriters working today. He took Cannes by storm and scored an intelligent sleeper hit with Sicario, his south-of-the-border drug war drama. He made it to the Oscars with another yarn of crime and the solemn-faced folks working to stop it, the timely Western standoff Hell or High Water. And now, the accomplished writer has delivered another potboiler set on the grand expanses of the American plains, with a sweetened deal: he’ll get the chance to prove himself as a filmmaker, too, taking his debut directorial credit on Wind River.
As noted in a new item at Variety today, Sony has been on something of a roll when it comes to getting female talent behind the camera. They’ve put together a respectable slate of films directed by women: Catherine Hardwicke was tapped to translate narco thriller Miss Bala for American audiences, Broad City mastermind Lucia Aniello wrote-directed the upcoming bachelorette-shenanigans comedy Rough Night, Michelle MacLaren landed the Sam Claflin-led thriller Nightingale, and perhaps most intriguingly of all, Elizabeth Banks has taken her next directorial project with a reboot of Charlie’s Angels. And for the latter two, today brings concrete news of impending developments.
The prevailing message of the upcoming Spider-Man: Homecoming has been that of novelty. This will be a fresh take on the Peter Parker mythos, making him younger than ever, sticking him in the treacherous social minefield of high school, and assigning him a lovably bratty irreverence more in-step with the comic-book original. Plus, Aunt May is young and hot now! But while Marvel and Sony’s advertising has gone to great lengths to assure audiences that this will not be their father’s Spider-Man (and it definitely won’t be the Andrew Garfield one we’re all psychologically working to repress), there is one respect in which this production is business as usual.
Aside from behaving like a normal, un-intimidating human being, there’s nothing Michael Shannon can’t do. When stuck in waiting rooms or the like, a fun way to pass the time is imagining Shannon taking over the lead role in any movie. It’s a can’t-fail formula for success: Jaws, but the shark is Michael Shannon? I’m there. Mulholland Dr., but Michael Shannon takes over both of Naomi Watts’ parts? Two tickets, please. A Transformers movie where Shannon appears in place or the giant alien robot? That would actually somehow make more sense. So when you see a headline that says “Michael Shannon bigfoot dramedy,” you can pretty much stop reading.
Nearly two decades out from his first film, and the viewing public hasn’t gotten any closer to answering the philosophical quandary of what, exactly, a Sam Mendes film is. He’s hopped from an accented dramedy about suburban malaise to a grim-and-gritty graphic novel adaptation to an off-kilter war drama to a pair of coolly-received literary adaptations to James freakin’ Bond. The most effective method of predicting the subject of a new directorial outing from Mendes involves dartboards, tea leaves, and cloud-reading, and today’s announcement of a new project for the esteemed Brit helmer adds yet another baffling left turn to his eclectic oeuvre.
Everything’s gone topsy-turvy in 2017, and not in the fun way, where Mike Leigh dramatizes the life and times of operetta composers Gilbert and Sullivan. Our reality TV star President now clutches glowing orbs of power with foreign dignitaries, young people are pouring lattes into gutted-out avocados, and four hours can’t elapse without some precedent-shattering new development on the global stage. In a year where straight-up kookoo-bananas insanity has settled into the new normal, doesn’t it make a nonsensical sort of sense for real-life supervillain Jared Leto to assume the reins of power at our beloved Fandor?
Those viewers of the opinion that the rebooted Planet of the Apes franchise numbers among the more successful revivals in the recent deluge (and if you disagree, feel free to kindly see yourself to the e-door) tend to credit Caesar as the film’s secret weapon. The intelligent chimpanzee provided the films with a human center, ironically enough, conveying his maturation and radicalization through unprecedented motion-capture technology and acting from Andy Serkis. The upcoming War For the Planet of the Apes will form the final chapter of this trilogy, and according to the film’s producer, may hold bad news for Caesar superfans.
As he’s transitioned into the serious-actor phase of his career, former teen girl fantasy Robert Pattinson has become something a fixture on the film festival circuit. This week, he’ll make the journey to Cannes when his latest starring vehicle Good Time plays in the Competition section, and though we common rabble will have to wait until August 11 for the U.S. release, today brings the first trailer for the A24-fronted project. And from the looks of this dizzying swirl of color and brutality, New York’s hometown heroes Josh and Benny Safdie have brought the heat.
Beaming families, teary smiles, mortarboards in the air — it’s graduation season, which means that more importantly, it’s celebrity commencement address season. While some high-profile speakers have received a chillier reception than others, the A-lister speech has long been a reliably amusing diversion in between long-winded orations from dusty academic types. Maya Rudolph took plenty of artistic license with “The Star-Spangled Banner” at my graduation ceremony from Tulane a few years ago, an unforgettable experience that I was too drunk to currently remember. But today brings video of another movie star taking the stage before a mass of fresh-faced students blissfully unaware of how hard getting a job is. Ladies, gentlemen, Will Ferrell is in the house.
Netflix is the future, that much seems beyond debate, but the shape of that future remains very much in flux. The video-streaming giant recently generated some friction with the Cannes Film Festival over the negotiation between theatrical runs and online releasing, a mini-controversy resolved with the edict that Netflix would have to set plans to get their movies into theaters if they want to be included at Cannes moving forward. 2017’s shaping up to be a pivotal year for Netflix, as they prepare to debut more high-profile films than ever and continuously hash out a strategy for best doing that.
Serious question: does any single entertainer have such complete dominion over their chosen field as Weird Al Yankovic wields over the song parody? Skeptics may scoff that musical spoofery is a stupid thing to become really, really, virtuosically good at, but the point stands that Yankovic has completely and totally mastered his preferred art form. So when the producers behind the upcoming film adaptation of the Captain Underpants chapter book series needed to find a talent for their theme music, of course their choice was obvious. In no insignificant way, Weird Al Yankovic was born to write a peppy pop tune about tightened-whiteys.
I now invite you to take a break from staring out the window and wondering what the new Paul Thomas Anderson movie with Daniel Day-Lewis is going to be like, and rotate in your chair to stare out of a different window and wonder what the new Martin Scorsese movie with Robert De Niro is going to be like. It’s been just about a year since we learned that Scorsese’s new mob drama (featuring the all-star team of De Niro, Joe Pesci, Al Pacino, Harvey Keitel, and Bobby Cannavale) was for sure happening, and as if in commemoration of that anniversary, today brings the news that production will soon get up and running.
It appears that you already have an account created within our VIP network of sites on .
To keep your personal information safe, we need to verify that it's really you.
To activate your account, please confirm your password.
When you have confirmed your password, you will be able to log in through Facebook on both sites.
*Please note that your prizes and activities will not be shared between programs within our VIP network.
Welcome back to Kiss All Access
It appears that you already have an account on this site associated with . To connect your existing account just click on the account activation button below. You will maintain your existing VIP profile. After you do this, you will be able to always log in to http://bozemanskissfm.com using your original account information.