On the long-running Comedy Central slacker sitcom Workaholics, bros-for-life Anders Holm, Blake Anderson, and Adam DeVine made no bones about their affinity for recreational marijuana use. But for those fans who had their healthy sense of skepticism, suspecting that it may all be an act for the sake of creating an onscreen persona, the Workaholics boys are back to re-affirm that they really and sincerely do love getting high. Just to prove it to you, all three actors light up in the teaser for their latest on-screen outing, and what’s more, they’re releasing it on April 20 of next year. As in, 4/20. Which is a weed thing.
The game of extremely handsome musical chairs that is staffing up for the next James Bond film continued apace today. The two biggest question marks — who will star as the secret agent extraordinaire, and who will direct him in the new picture — remain unresolved, but a new development may hold a clue as to the future of the franchise. A great ruckus was raised over the fact that the Bond property has entered the marketplace for a new studio overseer, and while the new management has not yet been decided, it’s starting to look like Warner Bros. has the upper hand. And it all has to do with Christopher Nolan.
For a guy whose entire acting career has been overshadowed by one role he played decades ago, Mark Hamill’s got a pretty good attitude. He loves Star Wars, and what’s more, he loves how much the people who love Star Wars love Star Wars. A regular fixture at conventions and other fan events, Hamill regularly gets in on the fun and mingles with his adoring public. And in a new video from Lucasfilms’ charity arm Force for Change, he gives a handful of diehard devotees the surprise of their lives.
Stop us if you’ve heard this one before, because you almost certainly haven’t — think The Heat, but instead of tough cookie Sandra Bullock, Melissa McCarthy teams with a street-smart puppet to bust criminal scum. Step aside, Anomalisa, a new puppet comedy has arrived to freak out audiences and challenge the boundaries of what can be considered marketable for a mass audience.
In case you weren’t aware, a pretty major situation has been percolating in the entertainment industry over the past month. Unsatisfied with the conditions of their work and continued employment, the Writers’ Guild of America went to the Alliance of Motion Pictures and Television Producers to renegotiate the terms of their collective contract. A bitter standoff summarily broke out, with the possibility of another writers’ strike — you may remember the last freeze-out, which stretched from late 2007 into early 2008 — looming on the horizon. Today brings a resolution to the saga of the last few weeks, and in true Hollywood fashion, everyone’s getting a happy ending.
Out with the old X-Men, in with the new. Neither DC nor fully Marvel, the odd-duck X-Men cinematic franchise has been in the process of reinventing itself over the past couple installments by gradually integrating its past and present. I mean that literally — through a whole heap of time-travel tomfoolery, the original X-People we came to know during the original trilogy of films in the early ’00s have been commingled with the new generation of throwback X-Folks as shown in the ’60s, ’70s and ’80s in First Class, Days of Future Past, and Apocalypse. The chronology can be a lot to swallow, and it’s about to get even more confusing: we may now have two Rogues.
Johnny Depp needs some public image rehabilitation, and badly. When it came out last year that he had physically abused former spouse Amber Heard, a dark and sickly pallor was cast over the heretofore beloved actor’s profile. It isn’t helping that he hasn’t been in a good movie since 2011 (Rango, though Verbinski’s follow-up The Lone Ranger has its supporters), and hasn’t been in a really profitable one since 2014’s Into the Woods. The guy has to save a little face if he wants to secure his future in this business, and what better way to do that than to play to the only demographic unaware of his unsavory personal life: the youth!
We won’t have confirmation until it premieres in Competition at Cannes next month, but from where the general public is currently standing, it sure looks like Tilda Swinton owns Okja. She was rocking a ferocious bob wig in the earliest press photos, a later still revealed the force of pure magnificence known as Braces Tilda, and now a newly-released promo video reveals that she’ll get a chance to show off her bone-dry comic timing in the latest feature from Bong Joon-ho as well. (Though the braces are conspicuously absent in this new teaser. Whence Braces Tilda?!)
If you ever bellowed those words in the mirror while holding a cardboard tube aloft like a sword shortly after giving yourself a DIY bowl-cut, you were probably a fan of He-Man and the Masters of the Universe. That, or a kid with extremely weird hobbies. Either way, the series of comics, cartoons and collectibles remains a cherished part of ’80s nostalgia, and as we have learned time and again over the past few years, no corner of Generation X’s childhood is safe from the plunderers at the major movie studios.
Remember David Fincher? You know, the guy whose name shows up in the credits for House of Cards? He directed movies once upon a time in 2014, but the genre maestro has been taking it relatively easy since Gone Girl shocked and tantalized audiences a few years ago. As he’s busied himself with TV work (he recently shot the Mind Hunters pilot for filmmaker-poacher Netflix), he’s batted around the occasional film offer without making any hard commitments. There were rumors of a grand adaptation of 20,000 Leagues Under the Sea floating around for a while there, but those dissipated when Fincher revealed that he was being courted to helm the sequel to zombie spectacle World War Z. One of those two things has now come to pass, and here’s a hint, it’s not the one that takes place underwater.
If I learned anything about Abu Dhabi from watching the entirety of Sex and the City 2 while sitting in a tattoo parlor waiting room (which actually happened and is not a joke), it’s that the United Arab Emirates city is a mecca of wealth. The oil-rich nation has concentrated much of its affluence in its capital, and accordingly, the area has exploded with development in recent years. Skyscrapers have cropped up like so many dandelions, massive tourist resorts now dot the coastline, and high-end boutique shopping caters to such fashionable visitors as Carrie Bradshaw and her pals. And while Abu Dhabi’s latest attraction won’t invite as many Dolce & Gabbana puns as one might like, it will delight comic book fans worldwide.
This past weekend, a seismic shift in box-office history took place and went largely unnoticed. The writing was on the wall for Star Wars’ legacy in the all-time top 10 highest-earning films, as noted on Reddit prior to the start of this past weekend. Box-office behemoth Beauty and the Beast continued to generate healthy grosses in its fifth weekend of release, ending the weekend with a princely (or should I say, princessly!) sum of $471.1 million. This gave the film a slight edge of the next-most-lucrative film on the list, which just so happened to be George Lucas’ original space opus. Star Wars and its lifetime gross of $461 million have now slid down to the #11 spot.
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